Nestled
In Event Schedule
| Sign
up for upcoming house concert information. |
|
Next
House Concert |
 |
Sun.,
Sep. 14, ’08 — Layah Jane |
More info
and reserve seats now! |
Twenty-six-year-old, Toronto-based, singer-songwriter Layah Jane
is a hearty young musician with a mission. With soulful vocals and
a poetic, articulate tongue, Layah's sound recalls Joni Mitchell,
Rickie Lee Jones and Ani Difranco, with a resonance all her own.
She plays guitar and piano. Winner of a number of Toronto music scene
awareds, she defly weaves threads of folk and jazz, along with heartfelt
lyrics and captivating charisma. Layah Jane is a spirited and natural
performer who receives enthusiastic support wherever she plays. When
she takes the stage we are transported to a place where emotion is
raw, reflection is deep, and revolution is not only possible, but
necessary.| Layah’s Web
site | |
More
Upcoming Performances (Performers
and dates subject to change prior to invitations being sent) |
 |
Sun.,
Nov. 2, ’08 — Andrew McKnight
Since permanently leaving his corporate environmental engineering
career in 1996, Andrew McKnight has traced a musical journey of nearly
half a million miles of blue highways and small towns across the
country, crafting his cinematic vignettes of Americans and their
landscapes in music, poetry and prose in between 125 performances
each year. Wherever McKnight takes the stage, audiences are at once
spellbound and relaxed by his entertaining stories delivered with
just the right touches of down home humor, causing one concertgoer
to label him "equal parts Robert Frost, William Least Heat-Moon
and Jeff Foxworthy!"| Andrew’s
Web site | |
 |
Sun.,
Dec. 28 , ’08 — The
Marc Yaxley Trio
A year-end house concert tradition! Their house concerts have
been incomparably spontaneous and electric. You’re in for a
lively and breathtaking evening of samba, bossa nova, swing, and
straight-ahead jazz that will singe your ears and mind—and
that’s a
good thing! Each a virtuoso of their respective instruments, the
trio will hold you on the edge of your seat with each new, improvised
musical phrase. Marc, Patrick, and Cameron are all solid musicians
independently. When they’re
together, it’s magic. |
Past
House Concerts
|
 |
Sun.,
Jul. 20, ’08 — Peggy Ratusz and
Big Road
Asheville’s own—returned for her third house concert.
She sang many new compositions with her acoustic trio
Big Road, plus some of her old favorites. Peggy and Josh showed
their musical creativity and performance skill, both vocally and,
in Josh's case, on the harmonica. Duane was his usual magnificent,
steady self on guitar. Another sell-out crowd enjoyed the evening.
| Big
Road’s MySpace page | |
 |
Sun.,
Jun. 1, ’08 House Concert 21 — Songsisters
This was a “best of” performance by 10 members of
this rich group of Asheville-based songwriting women. Their compositions
and performances ranged from polished to heartfelt. Some are seasoned
performers, while for others it was their first or second time
in front of an audience. The Songsisters were the original inspiration
for our entire house concert series. |
 |
Fri.,
Apr. 18, ’08 House Concert 20 — Siobhán
Quinn & Michael
Bowers.
With a voice known alternatively as angel-like and a devilish, and
agreed as one of the best voices on the folk and blues circuit, Siobhán
Quinn joined with Michael Bowers, an exceptional singer-songwriter
and performer who has the gift of lyric, spoken word, timing and
a certain exuberance all wrapped up in one. Together, Siobhán
and Michael produced folk, sizzling blues, intense Celtic ballads,
and music that radiated love of this world with all its ups and downs.
| Their
Web site | |
 |
Fri.,
Feb. 29 , ’08 House Concert 19 — Jack
Williams.
Jack Williams, a South Carolina-born artist, is recognized by the
contemporary U.S. folk community as a singer/songwriter of national
stature. He has toured the U.S. and Europe for the past 40-plus years,
and is a featured performer on the Philadelphia and Kerrville main
stages. His is music born at the meeting ground of the traditional
and the contemporary – original Southern-American songwriting
and performance at its best, drawing deeply from the eclectic well
of our musical heritage. Jack’s fusion of guitar, voice and
songs are loaded with delightful influences from a career in jazz,
classical, rock, blues, country and folk. | Jack’s
Web site | |
 |
Fri.,
Dec. 28 , ’07 House Concert 18 — The
Marc Yaxley Trio
An encore performance of one of our most memorable house concerts
ever! Their house concert in June ’06 was spontaneous and electric.
You’re in for a lively and breathtaking evening of samba, bossa
nova, swing, and straight-ahead jazz that will singe your ears and
mind—and that’s a good thing! Each a virtuoso of their
respective instruments, the trio will hold you on the edge of your
seat with each new, improvised musical phrase. Marc, Patrick, and
Cameron are all solid musicians independently. When they’re
together, it’s magic. |
 |
Sat.,
Nov. 3, ’07 House Concert 17— Scott Ainslie.
Scott was a rare performer: a man who spoke about the
Blues with the same compelling passion and authority that drives
his musical performances. He brought the African and
American roots, history, & soul of the music alive with a mesmerizing
mix of abandon, care and intimacy. Scott
played and spoke of the music he loves with passion and authority.
Combining thirty years of scholarship with almost forty playing guitar,
Ainslie entertains and educates in a most fascinating way. He lives
in Vermont, and tours North America, performing 150-or-so gigs a
year. | Scott’s Web site | Video | |
 |
Fri.,
Sept. 28, ’07 House Concert 16 — Steve Seskin.
Back for an encore performance, after his house
concert with us 2 years ago. Well-known Nashville songwriter/singer,
Steve Seskin, delighted with his range of lyrics and singing. Seskin
is one of the most successful writers in Nashville today, with a
boatload of songs recorded by Tim McGraw, Neal McCoy, John Michael
Montgomery, Kenny Chesney, Collin Raye, Peter Frampton, Waylon Jennings,
Alabama, Mark Wills, and Peter Paul and Mary. His song “Don't
Laugh At Me” was a finalist for CMA “Song of the Year” in
1999, and has spurred an entire tolerance movement, launched by the
Don't Laugh at Me Project. | Steve’s
Web site | Learn
more about the “Don’t Laugh at Me” character
development curriculum, now used in over 50,000 schools around the
US and the world. | |
 |
Sat.,
July 21, ’07 House Concert 15 — Peggy Ratusz.
Asheville’s own—returned for her second house concert.
This time, it was an intimate performance, as she sang many
of her newest compositions with her trio, plus some of her old favorites.
She’s inventive, versatilve, and has an expressive voice. Peggy
honed her unique vocal stylings, fronting rhythm and blues, country,
and blues bands in Austin, TX. She started out in jazz, moved to
folk rock, has sung folk rock, country and Motown, and then found
her soul music in blues. Her ability to interpret all kinds of music
makes her stand out in the crowd, and her sultry blues sends shivers
down your spine. | Peggy’s
Web site | |
 |
Fri.,
May 18, ’07 House Concert 14 — Annie Gallup
A lifetime's dedication to her art has made Annie Gallup something
of a high priestess among people who take songwriting seriously.
Unabashedly imaginative and richly sensual, her elaborate song-length
works of fiction crackle with wordplay and pulse with insistent rhythm.
Borrowing forms from ancient folk tales to modern poetry, Annie sings
over her bluesy guitar figures as if sharing secrets. Not many songwriters
take the kinds of risks that Annie does, and barely any can pull
them off with such deft, startling mastery. | Annie’s
Web site | |
 |
Fri.,
Apr. 20, ’07 House Concert 13 — Billy Jonas.
A Billy Jonas performance is an explosion of energy. In singalongs,
bangalongs, whisperalongs, as well as improvised songs, his primary
instrument is the audience. Everyone (including kids!) becomes part
of a performance that reaches out and “. . . touches even the
most hardened of hearts.” (Fayetteville Morning News) Concerts
begin with a simple "tuning" of the audience; from there
a whimsical trajectory carries listeners through stories of life,
love, and triumph over “Murphy's Law.” Jonas’ original
pieces are played on fanciful “industrial re-percussion” instruments
made from found objects. He sings in a clear tenor voice; his guitar
work is adventurous, alternately percussive and lyrical. | Billy’s
Web site | |
 |
Mar.
17, ’07 House Concert 12 — Pete Huttlinger.
This was a tremendous night of guitar virtuosity and quick
wit. If you looked away, you’d swear
there were three people playing. Pete
is a national finger style champion, who regularly performs
all across the U.S. and internationally. What he can do with
a 6-string guitar must be seen and heard to be believed. He
had justcome off a performance at famed Carnegie Hall
in New York, two weeks prior to the house concert. A past instructor
at the Swannanoa Gathering, Pete graced us all with a memorable
evening of musical artistry and humor. One of the audience
members was the 600th person to attend one of our house concerts.
| Pete’s Web site | |
 |
Feb.
10, ’07 House
Concert 11 — Craig Carothers
It’s
fitting that Craig, who was our inaugural performer in this series
(back in April of 2005), was the first to perform a repeat engagement.
With no amplification, Craig’s booming voice and his guitar
made for an evening of variety—sometimes poignant, sometimes
raucously funny, always sheer pleasure to witness and savor.
Several well-known recording artists have performed his tunes.
Nobody does them like Craig. Craig has been the opening act or
performed with more than a hundred national acts, ranging from
Boz Skaggs, to Jethro Tull, Donovan, and Leo Kotke. | Craig’s
Web site |

|
 |
Dec.
27, ’06 House
Concert 10 — David LaMotte
It
was an escape from the frenetic holiday hubbub, into a soothing,
yet stimulating evening of singing, guitar playing, and story
telling by one of the most popular and prolific entertainers
hailing from Western North Carolina. As normally occurs during
any of his over 2,000 public performances, this one included
everything from lyrically challenging, high-energy percussive
songs in strange alternate guitar tunings to more traditional
songs of home, hope and inspiration. | David’s
Web site | |
 |
Nov.
5, ’06 House
Concert 9 — Al Petteway & Amy White
A
sold-out evening of intimate music and variety. Al & Amy
are an acoustic performing arts team committed to creating an
intensely personal, yet universal sound. They have performed
around America and beyond. Both are accomplished singers and
songwriters. Al’s Grammy-ward winning guitar work, and
Amy’s sensitive piano and mandolin artistry complement
their vocal renditions of sometime intricate, sometimes earthy
original folk, Celtic, and new age music. They’re Artists-in-Residence
at the Kennedy Center for the Performing Arts and at Warren Wilson
College. | Al
& Amy’s Web site | |
 |
Sept.
17, ’06 House
Concert 8 — The Songsisters
This was
a “best of” performance by 10 members of this rich
group of Asheville-based songwriting women. Their compositions
and performances were heartfelt. Some were seasoned performers,
while for others it was only their first or second time in front
of an audience. It was musical love fest! The Songsisters were
the original inspiration for our entire house concert series. |
 |
June
24, ’06 House
Concert 7 — The Mark Yaxley Trio
A lively
and breathtaking evening of samba, bossa nova, swing, and straight-ahead
jazz will singe your ears and mind—and that’s a good
thing! Each a virtuoso of their respective instruments, the trio
will hold you on the edge of your seat with each new, improvised
musical phrase. Marc, Patrick, and Cameron are all solid musicians
independently. When they’re together, it’ magic. |
 |
May
6, ’06 House
Concert 6 — Annie Lalley and Joe Ebel
The
music was sweet, the crowd appreciative, and the mood lighthearted
through the evening. Annie's free spirit and crystal clear voice,
Joe's eloquent violin and guitar playing, and guest bassist Don
Porterfield’s impeccable rhythms and backups were superb. |
 |
Mar.
3, ’06 House
Concert 5 — Amy Rae Stupka and Richard Shulman
A
sell-out within just 48 hours of the announcement! Amy Rae
is a versatile singer and songwriter, and performs regularly
all over WNC. Richard is a nationally known composer and keyboardist,
who has played in Carnegie Hall and many other venues. They
both perform solo and together with River Geurgarian and Tracy.
Some folk, some jazz, some new age—all very soothing.
About 50 attendees enjoyed a great evening.

|
 |
Dec.
29, ’05
House Concert 4 — Sharon LaMotte and the Bill Gerhardt
Trio
About
45 brave souls wended their way up the hill in the fog, for a
laid-back evening of jazz standards in a whole new light. Sharon
LaMotte’s soothing, understated vocal approach mesmerized
and soothed everyone into a mellow, relaxed state in a season
that tends to be the most stressful. Bill Gerhardt awed with
his inspired piano improvisations, Mike Holstein fascinated as
his fingers flew on his upright bass and Sonny Thornton’s
telepathic tapping on the traps transported the audience to heaven. More
about Sharon’s booking agency, “Call
That Jazz.” |
 |
Sept.
30, ’05 House Concert 3 — Steve Seskin
Well-known Nashville songwriter/singer, Steve Seskin, delighted
with his range of lyrics and singing. Seskin is one of the most
successful writers in Nashville today, with a boatload of songs
recorded by Tim McGraw, Neal McCoy, John Michael Montgomery,
Kenny Chesney, Collin Raye, Peter Frampton, Waylon Jennings,
Alabama, Mark Wills, and Peter Paul and Mary. His song “Don't
Laugh At Me” was
a finalist for CMA “Song of the Year” in 1999, and
has spurred an entire tolerance movement, launched by the Don't
Laugh at Me Project. Other Seskin hits: “I Think About
You,” “Life's A Dance,” “No Doubt About
It,” “If You've Got Love,” and “Grown
Men Don’t Cry.”
| Steve’s
Web site | Learn more about
the “Don’t Laugh at Me” character development curriculum ,
now used in over 50,000 schools around the US and the world. |
 |
June
5, ’05 House Concert 2 — Peggy Ratusz & Daddy LongLegs
Local blues/soul/jazz/original singer/songwriter, Peggy Ratusz,
and her 4-piece band were at their peak, playing every original
song on her new CD, plus some great covers of a few others. About
57 folks enjoyed the proceedings, but were a little cozy. 40-50
is a better count. A
fixture on the Asheville music circuit, Peggy performs with her
blues band, Daddy LongLegs, as well as other performers and groups.
A local reviewer said: “Peggy Ratusz, dubbed
‘the petite woman with the big voice,’ wraps her chords
warmly around her ballads, wails out the blues, jump starts that jive
and can lay it on the line in ultra-pleasing sultry and sexy ways.
| Peggy’s
Web site | |
 |
April
29, ’05 House Concert 1 — Craig Carothers
Our first ever house concert was enjoyed by all was performed
by writer/singer/guitar player, Craig Carothers. "The Performing
Songwriter" magazine said this about Craig: “Like
the best of Elvis Costello and Warren Zevon, Carothers finds
the right mix of weary-eyed cynicism and helpless heated romanticism
. . . Love songs of the most adult and intelligent kind . . .” Craig
has been the opening act or performed with more than a hundred
national acts, ranging from Boz Skaggs, to Jethro Tull, Donovan,
and Leo Kotke.| Craig’s
Web site | |
Nestled
In Fox Trails Cinema
We’ve
played several movies, plus Oscar night whoopdedoos.
Everyone seems to enjoy the high-definition projection system, with
the 9-foot screen, reclining theater seating (complete with cupholders!),
and a satellite receiver to grab the latest flix in hi-def, all in
the Home Theater.
Ticket
pricing is very friendly, at zero. We have popcorn and basic
refreshments, and you’re welcome to bring something
along—a box of candy, a 6-pack of soda, treats from Fresh Market,
or what have you. No obligation—it’ll just be more interesting
than having us supply the
same old stuff
each time you come up the hill to enjoy a movie with us.
Seating
is limited—eight, to be precise. So, the first six folks to
RSVP to the occasional e-mail invite get the cushy seats. If you’ve
RSVP’d, and aren’t here by showtime, your cushy seats are up for grabs.
Latecomers and non-RSVP-ers are welcome, but you may find yourself
sitting on a beanbag or folding chair, backjack, or the floor.
Um,
the 20th Century Fox logo has no special significance, other than it
loosely ties in with the name of the neighborhood: Fox Trails.

|