Nestled In Event Schedule

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Next House Concert

Hoping to continue the House Concert Series at another venue.
We will no longer be hosting the house concerts at the Nestled In. If you or someone you know may have a place to host them and would be interested in exploring that, the organizers would be happy to discuss the possibility. Please e-mail Kelle Olwyler, or call her at 828-779-2550 for more details.

Thanks to all who attended or helped out with one or more of the 25 concerts. The music and friendship has been tremendous, making for great memories.

Past House Concerts
Yaxley Trio

Sun., Dec. 28 , ’08 — The Marc Yaxley Trio
A year-end house concert tradition! Standing room only! It was a lively and breathtaking evening of samba, bossa nova, swing, and straight-ahead jazz that will singe your ears and mind—and that’s a good thing! Each a virtuoso of their respective instruments, the trio held everyone on the edge of their seats with each new, improvised musical phrase. Marc, Patrick, and Cameron are all solid musicians independently. When they’re together, it’s magic.

Andrew McKnight

Sun., Nov. 2, ’08 — Andrew McKnight
Since permanently leaving his corporate environmental engineering career in 1996, Andrew McKnight has traced a musical journey of nearly half a million miles of blue highways and small towns across the country, crafting his cinematic vignettes of Americans and their landscapes in music, poetry and prose in between 125 performances each year. Wherever McKnight takes the stage, audiences are at once spellbound and relaxed by his entertaining stories delivered with just the right touches of down home humor, causing one concertgoer to label him "equal parts Robert Frost, William Least Heat-Moon and Jeff Foxworthy!"| Andrew’s Web site |

Layah Jane

Sun., Sep. 14, ’08 — Layah Jane
This was a tremendous performance of creativity, vocal clarity, passion, and energy. Twenty-six-year-old, Toronto-based, singer-songwriter Layah Jane is a hearty young musician with a mission. With soulful vocals and a poetic, articulate tongue, Layah's sound recalls Joni Mitchell, Rickie Lee Jones and Ani Difranco, with a resonance all her own. Winner of a number of Toronto music scene awareds, she defly weaves threads of folk and jazz, along with heartfelt lyrics and captivating charisma. | Layah’s Web site |

Ratusz

Sun., Jul. 20, ’08 — Peggy Ratusz and Big Road
Asheville’s own—returned for her third house concert. She sang many new compositions with her acoustic trio Big Road, plus some of her old favorites. Peggy and Josh showed their musical creativity and performance skill, both vocally and, in Josh's case, on the harmonica. Duane was his usual magnificent, steady self on guitar. Another sell-out crowd enjoyed the evening. | Big Road’s MySpace page |

SongSisters

Sun., Jun. 1, ’08 House Concert 21 — Songsisters
This was a “best of” performance by 10 members of this rich group of Asheville-based songwriting women. Their compositions and performances ranged from polished to heartfelt. Some are seasoned performers, while for others it was their first or second time in front of an audience. The Songsisters were the original inspiration for our entire house concert series.

Quinn Bowers

Fri., Apr. 18, ’08 House Concert 20 — Siobhán Quinn & Michael Bowers.
With a voice known alternatively as angel-like and a devilish, and agreed as one of the best voices on the folk and blues circuit, Siobhán Quinn joined with Michael Bowers, an exceptional singer-songwriter and performer who has the gift of lyric, spoken word, timing and a certain exuberance all wrapped up in one. Together, Siobhán and Michael produced folk, sizzling blues, intense Celtic ballads, and music that radiated love of this world with all its ups and downs. | Their Web site |

Jack Williams

Fri., Feb. 29 , ’08 House Concert 19 — Jack Williams.
Jack Williams, a South Carolina-born artist, is recognized by the contemporary U.S. folk community as a singer/songwriter of national stature. He has toured the U.S. and Europe for the past 40-plus years, and is a featured performer on the Philadelphia and Kerrville main stages. His is music born at the meeting ground of the traditional and the contemporary – original Southern-American songwriting and performance at its best, drawing deeply from the eclectic well of our musical heritage. Jack’s fusion of guitar, voice and songs are loaded with delightful influences from a career in jazz, classical, rock, blues, country and folk. | Jack’s Web site |

Yaxley Trio

Fri., Dec. 28 , ’07 House Concert 18 — The Marc Yaxley Trio
An encore performance of one of our most memorable house concerts ever! Their house concert in June ’06 was spontaneous and electric. You’re in for a lively and breathtaking evening of samba, bossa nova, swing, and straight-ahead jazz that will singe your ears and mind—and that’s a good thing! Each a virtuoso of their respective instruments, the trio will hold you on the edge of your seat with each new, improvised musical phrase. Marc, Patrick, and Cameron are all solid musicians independently. When they’re together, it’s magic.

Ainslee

Sat., Nov. 3, ’07 House Concert 17— Scott Ainslie.
Scott was a rare performer: a man who spoke about the Blues with the same compelling passion and authority that drives his musical performances. He brought the African and American roots, history, & soul of the music alive with a mesmerizing mix of abandon, care and intimacy
. Scott played and spoke of the music he loves with passion and authority. Combining thirty years of scholarship with almost forty playing guitar, Ainslie entertains and educates in a most fascinating way. He lives in Vermont, and tours North America, performing 150-or-so gigs a year. | Scott’s Web site | Video |

Seskin Fri., Sept. 28, ’07 House Concert 16 — Steve Seskin.
Back for an encore performance, after his house concert with us 2 years ago. Well-known Nashville songwriter/singer, Steve Seskin, delighted with his range of lyrics and singing. Seskin is one of the most successful writers in Nashville today, with a boatload of songs recorded by Tim McGraw, Neal McCoy, John Michael Montgomery, Kenny Chesney, Collin Raye, Peter Frampton, Waylon Jennings, Alabama, Mark Wills, and Peter Paul and Mary. His song “Don't Laugh At Me” was a finalist for CMA “Song of the Year” in 1999, and has spurred an entire tolerance movement, launched by the Don't Laugh at Me Project. |
Steve’s Web site | Learn more about the “Don’t Laugh at Me” character development curriculum, now used in over 50,000 schools around the US and the world. |
Ratusz

Sat., July 21, ’07 House Concert 15 — Peggy Ratusz.
Asheville’s own—returned for her second house concert. This time, it was an intimate performance, as she sang many of her newest compositions with her trio, plus some of her old favorites. She’s inventive, versatilve, and has an expressive voice. Peggy honed her unique vocal stylings, fronting rhythm and blues, country, and blues bands in Austin, TX. She started out in jazz, moved to folk rock, has sung folk rock, country and Motown, and then found her soul music in blues. Her ability to interpret all kinds of music makes her stand out in the crowd, and her sultry blues sends shivers down your spine. | Peggy’s Web site |

Gallup Fri., May 18, ’07 House Concert 14 — Annie Gallup
A lifetime's dedication to her art has made Annie Gallup something of a high priestess among people who take songwriting seriously. Unabashedly imaginative and richly sensual, her elaborate song-length works of fiction crackle with wordplay and pulse with insistent rhythm. Borrowing forms from ancient folk tales to modern poetry, Annie sings over her bluesy guitar figures as if sharing secrets. Not many songwriters take the kinds of risks that Annie does, and barely any can pull them off with such deft, startling mastery. | Annie’s Web site |
Jonas Fri., Apr. 20, ’07 House Concert 13 — Billy Jonas.
A Billy Jonas performance is an explosion of energy. In singalongs, bangalongs, whisperalongs, as well as improvised songs, his primary instrument is the audience. Everyone (including kids!) becomes part of a performance that reaches out and “. . . touches even the most hardened of hearts.” (Fayetteville Morning News)
Concerts begin with a simple "tuning" of the audience; from there a whimsical trajectory carries listeners through stories of life, love, and triumph over “Murphy's Law.” Jonas’ original pieces are played on fanciful “industrial re-percussion” instruments made from found objects. He sings in a clear tenor voice; his guitar work is adventurous, alternately percussive and lyrical. | Billy’s Web site |
Huttlinger

Mar. 17, ’07 House Concert 12 — Pete Huttlinger. This was a tremendous night of guitar virtuosity and quick wit. If you looked away, you’d swear there were three people playing. Pete is a national finger style champion, who regularly performs all across the U.S. and internationally. What he can do with a 6-string guitar must be seen and heard to be believed. He had justcome off a performance at famed Carnegie Hall in New York, two weeks prior to the house concert. A past instructor at the Swannanoa Gathering, Pete graced us all with a memorable evening of musical artistry and humor. One of the audience members was the 600th person to attend one of our house concerts.
| Pete’s Web site
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Carothers

Feb. 10, ’07 House Concert 11 — Craig Carothers
It’s fitting that Craig, who was our inaugural performer in this series (back in April of 2005), was the first to perform a repeat engagement. With no amplification, Craig’s booming voice and his guitar made for an evening of variety—sometimes poignant, sometimes raucously funny, always sheer pleasure to witness and savor. Several well-known recording artists have performed his tunes. Nobody does them like Craig. Craig has been the opening act or performed with more than a hundred national acts, ranging from Boz Skaggs, to Jethro Tull, Donovan, and Leo Kotke. | Craig’s Web site |

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D LaMotte

Dec. 27, ’06 House Concert 10 — David LaMotte
It was an escape from the frenetic holiday hubbub, into a soothing, yet stimulating evening of singing, guitar playing, and story telling by one of the most popular and prolific entertainers hailing from Western North Carolina. As normally occurs during any of his over 2,000 public performances, this one included everything from lyrically challenging, high-energy percussive songs in strange alternate guitar tunings to more traditional songs of home, hope and inspiration. | David’s Web site |

Petteway & White Nov. 5, ’06 House Concert 9 — Al Petteway & Amy White
A sold-out evening of intimate music and variety. Al & Amy are an acoustic performing arts team committed to creating an intensely personal, yet universal sound. They have performed around America and beyond. Both are accomplished singers and songwriters. Al’s Grammy-ward winning guitar work, and Amy’s sensitive piano and mandolin artistry complement their vocal renditions of sometime intricate, sometimes earthy original folk, Celtic, and new age music. They’re Artists-in-Residence at the Kennedy Center for the Performing Arts and at Warren Wilson College. | Al & Amy’s Web site |
SongSisters Sept. 17, ’06 House Concert 8 — The Songsisters
This was a “best of” performance by 10 members of this rich group of Asheville-based songwriting women. Their compositions and performances were heartfelt. Some were seasoned performers, while for others it was only their first or second time in front of an audience. It was musical love fest! The Songsisters were the original inspiration for our entire house concert series.
Yaxley Trio June 24, ’06 House Concert 7 — The Mark Yaxley Trio
A lively and breathtaking evening of samba, bossa nova, swing, and straight-ahead jazz will singe your ears and mind—and that’s a good thing! Each a virtuoso of their respective instruments, the trio will hold you on the edge of your seat with each new, improvised musical phrase. Marc, Patrick, and Cameron are all solid musicians independently. When they’re together, it’ magic.
Lalley & Ebel May 6, ’06 House Concert 6 — Annie Lalley and Joe Ebel
The music was sweet, the crowd appreciative, and the mood lighthearted through the evening. Annie's free spirit and crystal clear voice, Joe's eloquent violin and guitar playing, and guest bassist Don Porterfield’s impeccable rhythms and backups were superb.
Amy Rae

Mar. 3, ’06 House Concert 5 — Amy Rae Stupka and Richard Shulman
A sell-out within just 48 hours of the announcement! Amy Rae is a versatile singer and songwriter, and performs regularly all over WNC. Richard is a nationally known composer and keyboardist, who has played in Carnegie Hall and many other venues. They both perform solo and together with River Geurgarian and Tracy. Some folk, some jazz, some new age—all very soothing. About 50 attendees enjoyed a great evening.

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S LaMotte Dec. 29, ’05 House Concert 4 — Sharon LaMotte and the Bill Gerhardt Trio
About 45 brave souls wended their way up the hill in the fog, for a laid-back evening of jazz standards in a whole new light. Sharon LaMotte’s soothing, understated vocal approach mesmerized and soothed everyone into a mellow, relaxed state in a season that tends to be the most stressful. Bill Gerhardt awed with his inspired piano improvisations, Mike Holstein fascinated as his fingers flew on his upright bass and Sonny Thornton’s telepathic tapping on the traps transported the audience to heaven.
More about Sharon’s booking agency, “Call That Jazz.”
Seskin Sept. 30, ’05 House Concert 3 — Steve Seskin
Well-known Nashville songwriter/singer, Steve Seskin, delighted with his range of lyrics and singing. Seskin is one of the most successful writers in Nashville today, with a boatload of songs recorded by Tim McGraw, Neal McCoy, John Michael Montgomery, Kenny Chesney, Collin Raye, Peter Frampton, Waylon Jennings, Alabama, Mark Wills, and Peter Paul and Mary. His song “Don't Laugh At Me” was a finalist for CMA “Song of the Year” in 1999, and has spurred an entire tolerance movement, launched by the Don't Laugh at Me Project. Other Seskin hits: “I Think About You,” “Life's A Dance,” “No Doubt About It,” “If You've Got Love,” and “Grown Men Don’t Cry.”
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Steve’s Web site | Learn more about the “Don’t Laugh at Me” character development curriculum , now used in over 50,000 schools around the US and the world.
Ratusz June 5, ’05 House Concert 2 — Peggy Ratusz & Daddy LongLegs
Local blues/soul/jazz/original singer/songwriter, Peggy Ratusz, and her 4-piece band were at their peak, playing every original song on her new CD, plus some great covers of a few others. About 57 folks enjoyed the proceedings, but were a little cozy. 40-50 is a better count.
A fixture on the Asheville music circuit, Peggy performs with her blues band, Daddy LongLegs, as well as other performers and groups. A local reviewer said: “Peggy Ratusz, dubbed ‘the petite woman with the big voice,’ wraps her chords warmly around her ballads, wails out the blues, jump starts that jive and can lay it on the line in ultra-pleasing sultry and sexy ways. | Peggy’s Web site |
Carothers April 29, ’05 House Concert 1 — Craig Carothers
Our first ever house concert was enjoyed by all was performed by writer/singer/guitar player, Craig Carothers. "The Performing Songwriter" magazine said this about Craig:  “Like the best of Elvis Costello and Warren Zevon, Carothers finds the right mix of weary-eyed cynicism and helpless heated romanticism . . . Love songs of the most adult and intelligent kind . . .” Craig has been the opening act or performed with more than a hundred national acts, ranging from Boz Skaggs, to Jethro Tull, Donovan, and Leo Kotke.| Craig’s Web site |

Nestled In Fox Trails Cinema

We’ve played several movies, plus Oscar night whoopdedoos. Everyone seems to enjoy the high-definition projection system, with the 9-foot screen, reclining theater seating (complete with cupholders!), and a satellite receiver to grab the latest flix in hi-def, all in the Home Theater.

Ticket pricing is very friendly, at zero. We have popcorn and basic refreshments, and you’re welcome to bring something along—a box of candy, a 6-pack of soda, treats from Fresh Market, or what have you. No obligation—it’ll just be more interesting than having us supply the same old stuff each time you come up the hill to enjoy a movie with us.

Seating is limited—eight, to be precise. So, the first six folks to RSVP to the occasional e-mail invite get the cushy seats. If you’ve RSVP’d, and aren’t here by showtime, your cushy seats are up for grabs. Latecomers and non-RSVP-ers are welcome, but you may find yourself sitting on a beanbag or folding chair, backjack, or the floor.

Um, the 20th Century Fox logo has no special significance, other than it loosely ties in with the name of the neighborhood: Fox Trails.

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